Shintohos female pearl diver films starring buxom Michiko Maeda, began showing more flesh than would have previously been imaginable in the Japanese cinema. During the same period, the taiyozoku films on the teen age Sun Tribe, such as K Nakahiras Crazed Fruit 1. Japanese films. 1. Foreign films of this time, such as Ingmar Bergmans Summer with Monika 1. Louis Malles Amants 1. Russ Meyers Immoral Mr. Teas 1. 95. 9 introduced female nudity into international cinema, and were imported to Japan without problem. Nevertheless, until the early 1. Japanese film could only be seen in single reel stag films, made by film producers such as those depicted in Imamuras film The Pornographers 1. First wave The Age of Competition 1. The first wave of the pink film in Japan was contemporary with the similar U. S. sexploitation film genres, the nudie cuties and roughies. Nudity and sex officially entered Japanese cinema with Satoru Kobayashis controversial and popular independent production Flesh Market Nikutai no Ichiba, 1. Made for 8 million yen, Kobayashis independent feature film took in over 1. Kobayashi remained active in directing pink films until the 1. Tamaki Katori, the star of the film, went on to become one of the leading early pink film stars, appearing in over 6. Pink Princess. 2. In 1. 96. 4, maverick kabuki, theater and film director Tetsuji Takechi directed Daydream, a big budget film distributed by the major studio Shochiku. Takechis Black Snow 1. Japans intellectuals and the establishment. Takechi won the lawsuit, and the publicity surrounding the trial helped bring about a boom in the production of pink films. In her introduction to the Weissers Japanese Cinema Encyclopedia The Sex Films, actress Naomi Tani calls this period in pink film production The Age of Competition. Though Japans major studios, such as Nikkatsu and Shochiku made occasional forays into erotica in the 1. Seijun Suzukis Gate of Flesh 1. Japanese film to contain nudity,2. Independent studios such as Nihon Cinema and World Eiga made dozens of cheap, profitable eroductions. Among the most influential independent studios producing pink films in this era were Shinth Eiga the second studio to use this name, Million Film, Kant, and kura. Typically shown on a three film program, these films were made by these companies to show at their own chain of specialty theaters. Another major pink film studio, Wakamatsu Studios, was formed by director Kji Wakamatsu in 1. Nikkatsu. Known as The Pink Godfather,2. Wakamatsus independent productions are critically respected works usually concerned with sex and extreme violence mixed with political messages. His most controversial early films dealing with misogyny and sadism are The Embryo Hunts In Secret 1. Violated Angels 1. Download Full Superman/Shazam!: The Return Of Black Adam. Go, Go Second Time Virgin 1. Three other important pink film directors of this time, Kan Mukai, Kinya Ogawa and Shinya Yamamoto are known as The Heroes of the First Wave. In 1. 96. 5, the same year as Wakamatsu became independent, directors Kan Mukai and Giichi Nishihara established their own production companiesMukai Productions and Aoi Eiga. The first queen of Japanese sex movies was Noriko Tatsumi,3. World Eiga and Nihon Cinema with director Kji Seki. Other major Sex Queens of the first wave of pink film included Setsuko Ogawa,3. Mari Iwai,3. 5 Keiko Kayama,3.